Of course, all this is a little more complex to set a small pedal. Emphasize the importance of the dynamic part (the knobs 'Shape' and 'Body') which preserves transients even with a high level of distortion. First, the multiplicity of algorithms, but also by the available settings. But Ohmicide is undoubtedly what is more powerful for this type of effect. I have in my 'toolbox' a number of plug-ins distortion quality in D16, Audio Damage, U-He, more a series of small pedals, practice often offered by Digital Performer.

I owned and used this for a little over three years. Never had any problems running or stability on my Mac Pro with Mac OS 10.6.8 and Digital Performer. Presets that are also present in large quantities and categorized by genre. We finally have a 'dry / wet' and a general output level.Ĭonclude this overview by noting if necessary, all parameters can be controlled via MIDI and plug-in that has the system 'Melohman' that allows morphing from one preset to another with speed control transition. Once mixed the four bands, the sound is still through a resonant lowpass filter.

Note the presence of the button 'Side' which determines for each channel if the effect works in stereo mode or middle / sides (I confess that I have never understood the value of the thing.) There is also each track button 'solo' button and a 'mute' handy. We finally arrived at the party with mixer volume fader and pan, but also a small knob 'dry / wet'. This is followed by a simulation of feedback (or feedback) that can adjust the sensitivity, frequency and the stereo image. Finally 'Gain' distortion increases without varying level excessively.

There is a choice between 37 algorithms declined in three versions each or 111 types of distortions! Plus: The knob 'Alt' changes the color of his and 'Bias' adds a DC offset, which gives sound particularly 'destroy'. Then there are the parameters that affect the distortion itself. Then, for the dynamic part, the knob 'Shape' which serves particular compressor (it raises low levels without overwriting levels) on one side and the other expander, 'Body' determines the intensity the action of 'Shape'. All the following settings are therefore available for each band separately. Three knobs thus determine the frequency limits of each of the four bands. Button 'Stereo link' determines whether the level considered for the dynamic part of the effect will be that the sum of the two channels or each channel separately. Then you can already apply a distortion to the signal without affecting its dynamics ('pre distortion'). Easy to install as a plug-in authorization and very 'user friendly'.

Izotope trash 2 vs ohmicide